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Cappella Romana - Byzantium in Rome
A collection of medieval Byzantine chant based on manuscripts from Grottaferrata Monastery in Rome where the Byzantine rite has been celebrated for 1000 years. One CD is the feast of the founders, the second the feast of Pentecost.
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Cappella Romana
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Kontakion for St Benedict of Grottaferrata - 02:30
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Cappella Romana
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Ode 1 of the Kanon for St Benedict - 03:37
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Cappella Romana
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Kontakion for St Neilos fo Grottaferrata - 06:20
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Cappella Romana
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Ode 9 of the Kanon for St Benedict - 04:54
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Cappella Romana
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Kontakion for St Bartholomew of Grottaferrata - 09:34
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Cappella Romana
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Three stichera prosomia for St Benedict - 04:10
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Cappella Romana
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Ode 1 of the Iambic Kanon (Mode 4) - 02:57
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Cappella Romana
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Alleluarion in Mode 1 (Ps. 32:6) - 06:48
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Cappella Romana
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Ode 9 of the First Kanon of Pentecost (Mode 4) - 03:28
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Cappella Romana
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Communion Verse (Ps. 142:10b) - 03:37
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Cappella Romana
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Teleutaion (Small Litany and Psalm intonation) - 08:26
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Cappella Romana
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Teleutaion (Stichologia) - 17:59
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Cappella Romana
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Teleutaion (Glory, Both now) - 07:53
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| Reviews ->
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| Title: Liturgica.com Review |
Rating:
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| Review: Led by world-famous Greek cantor Ioannis Arvanitis, Cappella Romana recaptures on this recording the artistic vibrancy of medieval Italy's Greek minority with original and gorgeous 13th-century chants. Disc One is devoted to the life and work of the monastery's founders St. Neilos and St. Bartholomew, including Kontakia in their honor, and an excerpt of a Kanon for St. Benedict that was very likely composed for a Greek-rite all-night vigil at the Benedictine community at Montecassino in Sicily. Disc Two features music for Pentecost, beginning with excerpts of its two Kanons, the Alleluiarion, and the Communion Verse for the feast. The central work on disc two is the Teleutaion (Final Antiphon) of the kneeling vespers in the medieval cathedral rite, featuring extended psalmody and ecstatic settings of the angelic refrain "Alleluia," foreshadowing the transcendent ("kalophonic") chant of St. John Koukouzeles. Few recordings of Byzantine chant are, in fact, historically authentic, most reflecting the ?received tradition? or ?local practice? of the performing ensemble. The work of Ioannis Arvanitis and Alexander Lingas on this recording, to prepare for performance and then sing historic Byzantine chant from ancient manuscripts such as these is a truly commendable effort. The performance is top notch, and the sound is simply sublime. |
| Name: Benjamin Williams ben.williams@liturgica.com |